![]() Drag the controller to the CC knob to connect the two 5. By default, when you create a CC, it is set to 0, but Resolume will not receive CC's with a 0 value, so be sure to change it to any number from 1-127. Assign the controller to the CCĬlick the "+" button in the MIDI panel and drag it onto the CC knob. Click the '+' button to create a MIDI CC 4. But if you want to use Sensory Percussion to continuously control parameters like you would by turning a knob, you have to create a CC with a speed, velocity, timbre, or envelope assignment. To send a momentary on/off signal like a button would, you can simply hit any drum. In terms of buttons and knobs, a CC is a knob and the zone of a drum is a button. CC's (or continuous controllers) are key to sending nuanced MIDI information from Sensory Percussion into a different program. Navigate to the MIDI window in Sensory Percussion and click the “+” sign to create a MIDI CC. Create a controller in Sensory Percussion Create one of the 4 controller types 3. Here is a more in-depth guide on routing MIDI in Sensory Percussion Sensory Percussion MIDI Preferences Window Resolume MIDI Preferences Window 2. To do this, make sure that “IAC Driver Bus 1” is selected as a MIDI output in Sensory Percussion and a MIDI input in Resolume. Open up both programs and make sure that Resolume is “listening” to Sensory Percussion, meaning it's receiving MIDI information. Changing the color by playing harder or softer 1. ![]() Controlling left-to-right distortion by playing from center to edge Your browser does not support this video type. ::: Your browser does not support this video type. ![]() Get the Sensory Percussion and Resolume Arena 7 Templates: Download Here By wiring it up to other software with MIDI, you can use your drums to control just about anything.įor example, why not control video? In this tutorial, we'll show you how to control Resolume Arena (one of the most popular and powerful VJ applications) with Sensory Percussion. And feel free to share your results across different applications (not just Resolume) on Noisepages - even if it’s a quick message to say, “darnit, I’m confused about all this and don’t know where to start.Sensory Percussion lets you transform your drum into an expressive controller for samples and effects. Have a look and let us know what you think. Also, this illustrates that we need a basic protocol that allows auto-discovery of OSC-controllable parameters, but that’s a separate discussion. That also holds the promise of Resolume sending as much as it receives – no reason visual software has to be receive-only. Change the port and address to whatever is appropiate for your setup. ![]() This way you can quickly find out what messages you’ll need to send to specific objects.Ģ.Open the ‘config.xml’ file in ‘My DocumentsResolume Avenue 3preferences’ and look for the OSC section. There is an undocumented feature that enables you to send OSC messages from the mapping panel. Last week, though, we got into some other interesting details in that thread, like how to control the BPM thread and an undocumented feature: That’ll get you started controlling Resolume Avenue with Processing, which could make for some cool integration of your custom-coded Processing visuals with a more traditional Resolume visual or A/V set. Our friend Gian Pablo (check out his fantastic blog) clues us in to some recent developments with Resolume 3 “Avenue.”įirst stop: be sure to read the full OSC thread on the forums, starting with how Resolume Avenue’s OSC receive implementation works: So, visualists, it’s time to reap the fruit of that development work, and make the live performance rig work the way you’ve always dreamt it should work. Thanks to the fact that this community is unburdened by tradition and commercial development tends to involve small, responsive teams, change hasn’t been so tough. Happily, visual software developers proprietary and open source alike have done what music developers generally haven’t – embrace OSC. With MIDI, um… well, prepare for lots of mucking around. With OSC, it’s possible to control the array of things software might do, with easy use of high-resolution data, descriptive names in plain English (or your language of choice), a path hierarchy that makes it easier to structure messages in modular software, and smart networking features that makes assignment and communication a breeze. When it comes to controlling software, let’s put it bluntly: OSC good, MIDI bad. Photo of a Resolume 3 rig ( CC) Retinafunk.
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